Review: Minecraft: Story Mode - Episode 2: Assembly Required

That concept is both the curse and crux of the Monaco multiplayer experience. Asking you and three friends to pick a crew of various expertise, Monaco demands a level of teamwork and communication that many other games shy away from. While there is an entertainment value to be found when things go wrong, this is a game that's true worth only come through when there is some level of competence to be found amongst your ragged band of thieves.

VR Control mode has a number of options available for it, but the default is that turning is done by a series of instant changes, like teleporting in place but facing a different angle. Turn slowly and the jumps are tiny, turn fast and you get a much larger angle of change. Additionally, when you look while walking your "body" automatically changes direction to face the same way without the need to manually adjust it. The trick is to eliminate as much as possible anything that might cause dizziness, and although these changes wouldn't work on a game like Doom they're fine for something slower-paced like Minecraft. It may be weird and a little jarring but also surprisingly effective.


This beacon megabase by Trollyn_ is absolutely gorgeous and took them over 12 hours to build. That still seems like an insane feat, considering the sheer amount of detail and planning that probably went into crafting something as elaborate as this. Adding beacons into builds is also a fantastic idea, as they can often serve as a centerpiece or something to build aro


It took around six years for Space Engineers to come out of early access although fans of the game will argue that it was well worth the wait. The game looks great! At this point, it's overflowing with content to the point where completing it all will take players hundreds of hours. That's not a bad return at all for a title that costs less than

The heyday of music gaming may have come and gone, but even if it was ultimately just a fad that we were all caught up in (which I don't think is the case), it would do absolutely nothing to tarnish the memories of nights spent playing Rock Band with friends, nor can it ruin the fun still to be had in getting the band back together for one more tour.

The other type of item is accessory and each one grants a different skill. The feather, for example, does a quick roll that stuns an enemy, while the soul cube lets out a powerful arcane jet of energy blasting through everything in its path. A bundle of wheat summons an attack-llama, there are healing pendants, berzerk mushrooms, magic shields and plenty more to turn up. These let you create a personalized loadout of three skills, defining character class by what you choose to carry. The more powerful accessories are powered by souls, which are released and automatically gathered as you take out monsters, but it doesn't take many to fill the bar. The skills are there to be used rather than hoarded.

The episode doesn't stop there, because once you've returned from either of those two paths, you head off as a group with whichever other character you picked up in the first episode (Lukas for me) to find the last member of the Order of the Stone, Soren the Architect. This path also follows a relatively fast-paced action sequence, but falls a little short with its sub-par cliffhanger. It's only episode two, but the weird events surrounding the Order of the Stone and exactly what they're going to do to stop this crazy Wither Storm seems as though it will never be resolved.

Each level grants a purple gem/swirly-thing and these are used to buy equipment abilities. Once committed there's no taking the gems back until trashing the item, at which point they're refunded in full. Level one is one gem, two is usually two gems, etc, but there are also rare powerful abilities that get more expensive. I held on to the Harp Bow longer than practical thanks to it not only shooting five arrows per shot but also having a chance of an arrow dividing into another five on hit, despite how expensive it was to power up. That kind of crowd control is worth saving up for, after all, but there's always going to be more loot later that will finally make swapping out an irresistible prospect.

Unlike other games on this list which are notable for thinking outside the box in terms of multiplayer experiences, upon initial glance there's not much new about Castle Crashers, which appears to be another in the line of multiplayer 2D beat em ups that used to rule the arcade. Meanwhile, actually playing the game the first time reveals...pretty much the same conclusion.

Regardless of how you play though, there is hardly a session of Minecraft multiplayer that doesn't produce some kind of scenario or situation that you simply will not get in any other game. It may not do much more than throw more people into the Minecraft Maps world, but then again really doesn't have to.
The difficult thing in talking about and analyzing what makes Minecraft's multiplayer so great is that there is no definitive multiplayer experience. Some people use it to work together and create impossibly detailed and beautiful creations, while others create game within a game scenarios to compete in, and some still are perfectly satisfied with running around and killing each other. Like just about every other aspect of the game then, the experience here isn't one pre-determined by the developers, but rather one that is uniquely yours based on who you are, whom you play with, and the extent of your combined imaginations.