An Obituary For Overwatch

Even when (mostly) paying people back for their purchases on Stadia, Google is still showing it barely cares about its users. Not every game will allow saves to transfer. Hell, some games specifically designed for Stadia are now in limbo. Quick reminder - the people on the ground making these games are often creative folks who just want to bring something nice to the world. I’m not criticizing the engineers who made Stadia work or the artists and designers who make Overwatch look and play brilliantly. They deserve praise and probably better pay. Which, again, is funny considering these are all greedy companies sucking in dollar bills.


Roughly eight years before the present day, a terrorist organization called Talon attacked an Overwatch facility in Oslo. More specifically, a businessman named Antonio was behind the attacks. Morrison wanted to work with the Italian government in taking him down, but Reyes opted for his own operation. He infiltrated Antonio’s home with a team that consisted of himself, Genji Shimada, Moira O’Deorain, and Jessee McCree. However, Reyes killed Antonio instead of capturing him, which started a series of events that would spell the end of Overwa

Overwatch’s corporate identity was clear to see through its diverse cast and clear attempts at inclusion, made worse by queer characters who were never given any strong narrative within the world itself. On the surface it was a bold statement, but dig any deeper, and you were left wanting so much more as Blizzard chased demographic approval. Its universe had so much potential for excellent stories and worthwhile sociopolitical commentary, but this clear ambition was brushed aside as the years went on in favour of recycled seasonal events and development of a sequel that is only now lumbering towards the finish line. I once looked up to Overwatch, but now I can’t help but view its failings and cynical business practices for what they really are. I still love so much about it, and the warm memories it brings to the forefront of my mind are clear proof that Blizzard struck gold with this one.
Don’t get me wrong - I don’t mind that there’s an Overwatch 2. Hell, I don’t even give a shit that it’s a free-to-play nightmare that’s going to be dominated by kids with rich parents. I work in show business - the entire world is dominated by kids with rich parents. And I respect that in order to keep their esports racket fresh, Blizzard creates new Overwatch content just like how their professional players create new racial slurs.


With over 30 playable heroes already, there is no shortage of unique characters to choose from when readying for a fight. Still, it's always fun to try out a brand new hero, who brings their own dynamic and playstyle. Overwatch 2 will kick things off with Sojourn, who will apparently be the first Canadian hero in the g


With the release of Overwatch 2 , players have been anticipating the exciting PvE story mode and its new enemies . Unlike the standard 5v5, PvE is a different beast entirely, and teams will have to focus on crowd control and DPS, so maybe your beloved Lúcio or Doomfist might have to warm the bench


With its complete mechanical overhaul done for Overwatch 2 events 2, Bastion the point-controlling turret is no more. Instead, this bionic buddy-of-birds is now an all-terrain vehicle, with its stationary turret having been traded for a new Assault mode which transforms Bastion into a roaming, mini gun-firing t


Still, it would at least make sense to allow for cross-play across the PS4, Xbox One, and Switch servers. This would open the doors for an even more vast pool of potential players, essentially ensuring you won't deal with ghost town lobbies. There is a likelihood Blizzard will ultimately implement this, but as of now, it's just a ru

In a landscape filled with gruff military dudes and futuristic warfare emerged a bright, colourful, diverse, and experimental game that pushed the genre forward and tried new things in fresh, exciting ways. Each match was fast and rewarding, while its sprawling cast of heroes all connected with players and meant something to them. It was evolutionary, but this innovation would bring with it some irksome industry trends and a complacency that would see Blizzard transform into a company that is now widely despised. How things change.

Of course, we had awesome women like Mei and Zarya amongst the cast, but there was D.Va, Tracer, and Widowmaker strutting their stuff alongside them. Overwatch was a real sticking point in our development as horny gamers, and a willingness to embrace sexuality in our games and view it as something to no longer be ashamed of. Overwatch was a stepping stone to this point, but a stone covered with the slippery moss of the mid ‘10s Whedonised feminism, where the best way to make a female character strong was to make her sexy too. Putting aside the smut, I was invested in some of the game’s queer ships for years, whether it be through tasteful fanart or brilliantly written fiction that understood these characters better than Blizzard ever will. Pharmercy till I die. You know Overwatch was something special because it made you care, and the relative indifference from Blizzard in the years since is almost upsetting.